1 %-- Étoile sans couleur -- piano.ly -------------------------------%
2 % (c) 2011 Valentin Villenave <valentin@villenave.net>
7 %-- Pinched strings -----------------------------------------------%
9 %%% There's no standard notation that I know of for this
10 %%% kind of shenanigans. (Granted, I for one am using it more as
11 %%% a contemporary-looking gimmick than anything really deep.)
13 (define-music-function
(parser location x
) (ly
:music?
)
15 \override Stem
#'stencil
=
17 (let
* ((x-parent
(ly
:grob-parent grob X
))
18 (is-rest?
(ly
:grob?
(ly
:grob-object x-parent
'rest
))))
21 (ly
:stencil-combine-at-edge
24 (-
(ly
:grob-property grob
'direction
))
25 (grob-interpret-markup grob
27 #:center-align ;
#:fontsize -
4
28 #:musicglyph
"noteheads.s2cross"))
31 \revert Stem
#'stencil
34 %-- The actual notes ----------------------------------------------%
37 PianoM
d = \relative do
' {
40 R
2. R
2.-
\fermataMarkup
45 r
8 \acciaccatura {si
16[^"simile" _"(gliss.)" do
] \glissando} dod
8\laissezVibrer
46 r
4 \t {r
8 la
''4_\p\laissezVibrer} |
47 \t {r
8 sol
\pp \mg dod
,,} \md fa
'4\laissezVibrer r
4
49 \t {r
8 \letter "v" red
'4\p\laissezVibrer} r
4 r
8
50 \letter "i" dod
,,8\laissezVibrer |
51 r
4 \letter "n" sib
'\laissezVibrer r |
56 \acciaccatura {sold
16[^\ppp _"(gliss.)" la
]} sib
2\laissezVibrer r
4 |
57 \acciaccatura {fad
16[-
"(simile)" sol
]} sold
2\laissezVibrer r
4 |
58 r
4 \acciaccatura {mi
16[ fa
]} fad
2\laissezVibrer |
60 r
4 \acciaccatura {lad
'16[\pp\> si
]} do
2\laissezVibrer |
61 r
4 \acciaccatura {dod
16[ re
]} red
2\!\laissezVibrer |
69 %% I'm not giving the letters away here.
70 %% (Well, except in the code, that is.)
71 \t {la
32\ppp do fa
} si
8-
. |
% m o r t
72 r
8 sol
16(-
\dyn "pp,_souple" do
, \mg reb
, \md fa
') % s o i r
73 \mg do
,,( \md do
' \tt {reb
' \mg lab
, mi
, \md reb
''' fa
,)} % c o u l e u r
75 \ttt {sol
(\cresc do
, lab
\mg mi
, reb
' \md lab
')} % s o l e i l
76 \tt {\mg red
,,_( mi
, \md dod
''' sib
, \mg mi
,,)} % j e u n e
77 \tt {\md la
'( si
' \mg la
,,, \md dod
' sib
')} |
% m a t i n
78 s4\! <do
, fa sol
>2---
\dyn "f_ample" % r o s e-- (see left hand).
80 <do fa sol
>4--
<do fa sol
>2--
<do fa sol
>--
\dim <do fa sol
>4-- |
81 \pl {<do fa sol
>4.--
<do fa sol
>--
}
83 \t {\letter "b" si
'16(
84 \ottava #1 \letter "u" red
''_\pp
85 \ottava #0 \letter "e" mi
,,)}
88 \set tieWaitForNote
= ##t
89 \hideNotes \stemUp fa
,16~-
\dyn "mf" do~ sol
'8~
90 \unHideNotes \stemNeutral <do
, fa sol
>2-- |
91 \set tieWaitForNote
= ##f
92 <do fa sol
>4--
<do fa sol
>2--
<lab do sol
'>2.--
\sf |
93 <do fa sol
>4--
\mp <do fa sol
>2--
<si re mi sol
>2.--
\cresc |
94 <do fa sol
>4--
<do fa sol
>2--
<si re mi sol
>--
\! <si re mi sol
>4-- |
95 <do fa sol
>8\mf <si re mi sol
>4--
<do fa sol
> s8 |
96 \pl {<do fa sol
>8 <si re mi sol
>4.--
}
97 {s4 \t {r
8 <lab
' sib reb
> <fa sol
>}}
98 <fa
, lab sib reb
>8--
\mp <si re mi sol
>--~ |
99 <si re mi sol
> <si re mi sol
>-
.-- r
2 |
100 <si re mi sol
>8-
.--
\p r r
4 r
8 s |
\clef bass
103 <si
, re mi sol
>2-
\dyn "mf,_sonore" -
>--
104 r
4 <si re mi sol
>2.-
>-- |
105 <si re mi sol
>4.--
<si re mi sol
>8--~
<si re mi sol
>2
106 <mi sol
>16-
._\f <si sol
'>-
. <re sol
>8-
. r
<re mi sol
>--
_\mf~ |
107 <re mi sol
>4 <si re mi sol
>--~
\< <si re mi sol
>4.
109 <\letter "j" red
\letter "e" mi
110 \letter "n" sib
' \letter "u" dod
>8-
>--~
\!
113 <si re mi sol
>4.-- fa
32( si re mi sol
4-
.)
114 <mi sol
>16-
.\f <si sol
'>-
. <re mi sol
>8--~
115 <re mi sol
> <lab sib reb
>4.-
>-- |
116 <si re mi sol
>4.--
\mf <si sol
'>16-
.
117 <re mi sol
>-
. r
4 <si re mi sol
>2.-- |
118 <sib do mib fa lab
>4.--
\> <si re mi sol
>8--~
\! <si re mi sol
>2 \clef treble
119 <mi
' do
' fa sol
>2--
^\f |
\clef bass
120 \acciaccatura <lad
,, dod
>8 <si re mi sol
>1\mp\laissezVibrer r
2 |
121 r
\t {r
4 do
( dod
} \t {sold
' mi dod
'} |
122 fa
1)\laissezVibrer r
2 |
125 R
1. \clef treble r
2 s1 s1.
126 <si si
'>16(-
>-
\dyn "f_espr." <do do
'>2...)-
>--
127 <si si
'>8-
>( <dod dod
'>4.)~-
>-- |
128 <dod dod
'>2. r
4 <si si
'>2-
>-- |
129 <re re
'>1.*1/3-
>--
\laissezVibrer
130 \t {mib
,8( fad sol
} \t {fad sol sib
)}
131 \t {mib
,( fad sol
} \t {fad sol sib
)} |
132 \t {mib
,( fa sol
} \t {mi fad sold
}
133 \t {sib
) re
,( mib
} \t {fad
) dod
( re
)}
134 \stemUp \tt {mi
^( do
\mg sol sib fad
} |
135 mi
4)--
\md \stemNeutral r
136 <si
'' si
'>8-
>( <do do
'>2..-
>--
) |
137 <si si
'>4(-
> <dod dod
'>2.-
>--
)
138 <si si
'>2*1/2-
>--
\ottava #1 \t {r
8 dod
' sold
'} |
139 \pl {r
8 dod
,( \t {mi
_"leggiero assai" dod sold
')}}
140 <red red
'>1.*1/3-
>--
\laissezVibrer
141 \tt {red
'!8( dod
, mi dod sold
')}
142 \tt {red
'( dod
, mi dod sold
')} |
143 \tt {red
'( mi
, sold mi lad
)}
144 \tt {red
(\> fadd
, lad sold si
)}
145 \tt {red
( do mi
, dod
' sold
'\!)} |
148 r
1 \pl {<red
, mi
>16[^"m.s."\sfz sib dod mi
,]} {<red
'' mi
>8 r
}
150 la
,,16[-
"(loco)"\< mi dod sold
] \stemNeutral |
151 R
1. r
4 do~
_\dyn "p_(con Ped.)"
152 \t {do do do~
} do
8 do
4.~
154 \pl {red
'16\sfz la
_"m.s." dod
, sib
} {red
'8^"m.d." r
}
155 R
1. do
,4_\dyn "p_simile" do~ do
8 si si
( do
) r
2 |
157 \once \override Beam
#'grow-direction
= #RIGHT
158 \featherDurations #(ly
:make-moment
2 1)
159 \tttt {red
8( la dod sib
'-
> mi
,-
> sol
4-
>)~
}
161 r
4 r
8 do
,( si do si
4)~ si
8 si
4.--
\laissezVibrer |
162 \acciaccatura <lab
'' do reb mi sol
>16
163 <lab
, do reb mi
>4-
.\f r
164 %% All of these are words. (But by now, you should get it.)
165 r
8 \acciaccatura <do
' sol
'>16 <sold dod mi
>8-
.
166 r
8 \acciaccatura <do reb
>16 <mi
, sol
>8-
. r
2 |
167 <la
, re
>16-
\dyn "f_(non legato)" \mg la
, \md <fa
'' dod
' red
> mi
,
168 \tt {<mi dod
' red
>\< <sib sol
'> <sol
' dod red
>
169 \mg <mi
, sib
'> \md r
\!}
170 \t {<re
' mi
>8-
.-
\dyn "p_sub." \mg <dod
, fa sol
>-
. <re mi
>-
.} \md r
4
171 \t {si
''16( do mib
} sol
8-
.)
172 r
16 \pl {si
,,!\f-
> <sol do
>8-
>~
<sol do
>1}
173 {<dod la
' sib
>16-
> fa
8-
>~ fa
1}
175 \tttt {\mg sol
,8(\mf \md do lab
' mi dod
' sol
'4)~
}
177 sol
4 \t {do
8(\p dod mi
} sold
4-
.) r |
181 sol
8-
.-
\dyn "p_staccato leggiero"
182 dod
,,-
. \ottava #1 sold
'''4-
. \ottava #0 r
4 |
183 sib
,,8-
. mi
,,-
. \ottava #1 dod
'''-
. \ottava #0 fa
,,,-
._"(loco)" r
4 |
184 r
4 r
8 do
''-
. sib-
. \ottava #1 sib
''-
. \ottava #0 |
185 r
2 <sib
,,,, mi
>4-
.\arpeggio |
186 r
4 mi
''8-
. \ottava #1 dod
'-
. \mg la
,,,-
. \md si
'''-
. \ottava #0 |
187 do
,-
. fa-
. \ottava #1 sib
'-
. \ottava #0 mi
,,,,-
. r
4 |
188 r
2 \pl {s8 sib
'-
.} {do-
. sib-
.} |
189 \ottava #1 sib
''-
. \ottava #0 \mg mi
,,,,-
. \md r
4
190 \ottava #2 \t {mi
''''8-
. sib
'-
. sib
,-
.} |
194 \mg \letter "i" dod
,,-
.
195 \md \letter "x" sold
'''-
. |
197 r
4 \pl {\lettersOn \letter "n" sib
,,--
\lettersOff}
198 \t {r
8 \lettersOn \letter "e" mi
(
199 \letter "u" dod
') \lettersOff}
202 r
\t {\letter "o" do
,8( \letter "n" sib
203 \letter "z" sib
'-
.)} r
4 |
204 r
4 \t {r
\letter "q" mi
,8-
.}
205 \t {\letter "u" dod
'-
. \mg \letter "a" la
,,-
.
206 \md \letter "t" si
''-
.} |
207 \t {\letter "o" do
,-
.(\< \letter "r" fa-
.
208 \letter "z" sib-
.)} r
4 s |
210 r
\! \t {<mi
,, sib
' do
>--
\< <si dod mi fa
>--
211 \mg <dod
, sol
' lab
>--
} |
213 do
'?
4_\dyn "p_(con Ped.)" do
2 do
2.\laissezVibrer
215 do
2.--
_"simile" do
2-- do
4--~
216 do
4. do--~ do
4 do
4. do
8~ do
4 do
2 |
217 si
4.-- si--~ si
2 si
4--~
218 si
2 si
4~ si-
\dyn "p_dolce espr." si
( do
)~ do do
2~ |
219 do
8 do
4 do
4.~ do
4 si
4. si
8~ |
220 si
4 do
8( si
4) si
8~ | si
4. si~ |
222 do
2) si
4--~ si do
8( si
4) do
8--~ |
223 do
4 si
2--~ si
4. \pl {\oneVoice do
4.~ |
224 do
2~ do
8 do~
\voiceTwo do
2 do
4~
\oneVoice
225 do
2.~ do~ do~
\voiceTwo do
}
226 {s4. s2. fa
'2.-
.--
\laissezVibrer s2.*3 fa
2.-
.--
\laissezVibrer}
231 dod
8-
\dyn "p_sempre"-- dod~-- dod
8. dod
16~ dod
4--~ |
232 dod
8 dod~ dod
16 dod
8.--~
_"très calme" dod
8 dod~ |
233 dod dod
4 dod
8~ dod
8. dod
16~ |
235 \t {dod
8 dod
8. dod
16~
} \t {dod
8 dod
8. dod
16~
} dod dod dod
8~ |
236 dod
16 dod dod
8~ dod
16 dod
8. dod dod
16~ |
237 \t {dod
4 dod
8~
} \t {dod dod
4}
239 r
4 sol
''-
.--
\laissezVibrer r |
240 fa
2-
.--
\laissezVibrer s4 |
241 \t {r
4 sol
8-
.--
\laissezVibrer} r
4 fa-
.--~ |
242 fa
2\laissezVibrer s4 |
243 r
4 r
8 sol
4.-
.--
\laissezVibrer |
244 \t {r
4 fa
8-
.--
\laissezVibrer} r
8. sol
16\laissezVibrer r
8 fa
\laissezVibrer |
245 r sol
\laissezVibrer r fa
16 sol
\laissezVibrer
247 \set tieWaitForNote
= ##t
250 \tt {\letter "d" re
,16( \letter "e" mi
251 \md \letter "s" sol
'' \letter "i" dod
,,~
252 \letter "r" fa
')\laissezVibrer } |
255 \set tieWaitForNote
= ##f
256 dod
2.~ dod
4 dod
2 dod dod
4~ dod dod
2 |
257 <reb solb lab
>4 <do fa sol
>2 <do fa sol
>2. |
258 <dod sold
'>2.~
<dod sold
'>~
<dod sold
'>2 r
4 |
259 \ottava #1 red
'''4 \ottava #0 \mg la
,,,,, \md dod
'' |
260 sib
''2.\laissezVibrer s2. R
2.*3
261 r
4 \quasiHarp red
2_"cordes pincées" | R
2.
262 r
4 \quasiHarp {dod
,2 sib
'2.\laissezVibrer } R
2.*2
263 r
4 \pl {s2 <fa
, sol
!>2.}
264 {\oneVoice \tieUp <dod
' sold
'>2\pp ~
\voiceOne
265 <dod sold
'> \tieNeutral \oneVoice si
'4} |
268 \stemUp \tieUp do
2~ do
8 si dod
2.~ dod
4 si
2 \stemNeutral \tieNeutral |
269 \ottava #1 \pl \tt {r
16 dod
( mi dod sold
')}
270 <red red
'>2.*1/3\arpeggio \laissezVibrer
271 \tt {red
'16( dod
, mi dod sold
')}
272 \tt {red
'( dod
, mi dod sold
')} |
274 \tt {\letter "v" red
'( \letter "i" dod
,
275 \letter "e" mi
\letter "i" dod
\letter "l" sold
')}
277 \tt {red
'( dod
, mi dod sold
')}
278 \tt {red
'( dod
, mi dod sold
')} |
279 \tt {red
'( dod
, mi dod sold
')}
280 \tt {red
'( dod
, mi dod sold
')}
281 \tt {red
'( dod
, mi dod sold
')} |
282 \tt {red
'( dod
, mi dod sold
')}
283 \tt {red
'( dod
, mi dod sold
')}
285 \tt {\letter "v" red
'(
286 \letter "i" dod
, \letter "e" mi
287 \letter "u" dod
' \letter "x" sold
')} |
289 \tt {red
( dod
, mi dod sold
')}
290 \tt {red
'( dod
, mi dod sold
')}
291 \tt {red
'( dod
, mi dod sold
')} |
292 \tt {red
'( dod
, mi dod sold
')}
293 \tt {red
'( dod
, mi dod sold
')}
294 \tt {red
'( dod
, mi dod sold
')} |
295 \tt {red
'( dod
, mi dod sold
')}
296 \tt {red
'( dod
, mi dod sold
')}
297 \tt {red
'( dod
, mi dod sold
')} |
299 \tt {\letter "j" red
'(
300 \letter "e" mi
, \letter "u" dod
'
301 \letter "n" sib
, \letter "e" mi
)}
303 \tt {red
'( mi
, dod
' sib
, mi
)}
304 \tt {red
'( mi
, dod
' sib
, mi
)} |
305 \tt {red
'( la
, dod sib
' mi
,)}
306 \tt {la
,( la
, si
' dod
, sib
')} \ottava #0
307 \tt {sol
'( do
, si dod
, fa
')} |
308 \tt {sol
( do
, sold dod
, sold
')}
310 \letter "c" do
,( \letter "i" dod
'
311 \letter "e" mi
, \letter "l" sold
')
313 \tt {red
,( mi
, dod
'' sib
, mi
,)} |
316 \letter "e" mi
\letter "s" sol
'
317 \letter "i" dod
,, \letter "r" fa
')}
319 \tt {red
( la
, dod sib
' mi
,)}
321 \stemDown \letter "r" fa
^(
322 \letter "o" do
\letter "s" sol
'
323 \mg \stemUp \letter "e" mi
, \md
324 \stemNeutral |
\lettersOff
325 sib
'2.)~
\hideNotes sib
2.~
326 sib~ sib R
2.*2-
\fermataMarkup
331 PianoM
g = \relative do
{
335 R
2. R
2.-
\fermataMarkup
340 fa
,2._\mp\laissezVibrer ^"cordes pincées" _"(con Ped.)"
343 r
4 \letter "a" la
\laissezVibrer r |
352 s2. s4 \clef bass
s2 |
353 \md \t {fa
''16( do sol
'} \mg mi
,,8)~ mi
2 |
355 mi
4-- mi
2-- mi-- mi
4-- |
359 \letter "r" fa
''16 \letter "o" do
360 \letter "s" sol
' \mg \stemNeutral \letter "e" mi
,,~
362 mi
4-- mi
2--
<mi reb
'>2.-- |
364 mi
4-- mi
2-- fa-- fa
4-- |
365 mi
8 fa
4-- mi
\md \stemUp
366 <lab
' sib reb
>32(-
> sol
\mg <sib
, reb
> fa
) |
\stemNeutral
367 mi
8 fa
4.-- fa
4~-- fa
8 fa-
.-- r
2 |
368 fa
8-
.-- r r
4 r
8 \md \stemDown
369 \ttt {sol
''32 reb sib lab
\mg reb
, sib
} |
\stemNeutral
373 fa
8 fa
, fa fa fa
_"con Ped. ma non troppo"
374 fa fa fa fa fa fa fa |
375 fa fa fa
'-- fa
, fa fa fa fa fa fa fa fa |
376 fa mi
'-- fa
, fa fa fa fa fa fa fa solb
'-- fa
, |
377 fa fa fa
\t {lab
16( sib reb
}
378 fa
8-
.) fa
, fa fa fa fa fa fa |
379 fa
'-- fa
, fa fa fa fa fa
'-- fa
, fa fa fa fa |
380 mi
'-- fa
, fa fa
'-- fa
, mi fa fa fa fa fa fa |
381 <fa fa
'>-
.( <fa fa
'>-
. <fa fa
'>-
. <fa fa
'>-
.)
382 <fa fa
'>-
.( <mi fa
'>-
. <mi fa
'>-
. <fa fa
'>-
.)
383 <fa fa
'>-
.( <fa fa
'>-
. <fa fa
'>-
. <fa mi
'>-
.) |
384 <fa mi
'>-
.( <fa mi
'>-
. <mi fa
'>-
. <mi fa
'>-
.)
385 <fa mi
'>-
.( <mi fa
'>-
. <mi fa
'>-
. <mi fa
'>-
.)
386 <mi fa
'>-
.( <mi fa
'>-
. <fa mi
'>-
. <fa mi
'>-
.) |
387 <fa mi
'>--
\dim fa fa
'-- fa
, fa fa mi fa fa fa fa fa |
391 %% And now for my "Liszt's ghost
392 %% is speaking though me" moment.
393 fa
16--
\pp_"quasi non legato" lab
' sib dod re dod sib lab
394 fa-- la si re mi re si la
395 %% This is 6 - 9 - 11 - 14, in condensed form,
396 %% then in expanded form (with systematic permutations).
397 fa-- si re mi sol mi re si |
398 \stemDown \tt {fa
(\p lab sib reb sol
} sold la
) reb
, sib
399 \tt {fa
( sib reb mib lab
} \md sol
') reb sib lab
400 \mg fa
,(-
\dyn "p_sempre" si lab
' \md sol
' la
') mib
( fad
, \mg sol
,) |
401 %% ... And this, my friend, is what we call: a hack.
402 fa
,16*7/8[( re
' lab
' \md sib
'] la
'[) do
,( fad
, \mg mi
,])
404 \t {\tt {fa
,16[(\cresc do
' sol
' \md sol
' re
']} la
'4--
)
405 \tt {\mg fa
,,,16[( dod
' mi
\md sib
'' reb
]}}
406 \tupletUp \t {la
'4--
) \tupletDown \stemDown
407 \tttt {\mg fa
,,,16[(-- si re lab
' \md fad
' do
' mib
]} \stemNeutral
408 sib
'4--
)} \tupletNeutral \mg \graceNote fa
,,,8*1/2 |
409 %% (On second thought: make that Ravel's ghost. I'm not picky.)
410 \t {mi
,8( mi
'_\< red
'} \t {sol lab red
)}
411 \tt {sol
(_\f_\> red lab sol si
,)}
412 \tt {mi
,(_\< re
' sol lab reb
)} |
413 \tt {sol
(_\mf_\> reb lab sol sib
,)}
414 \tt {mi
,(_\! re
' fad sol la
)}
415 si
16_\p_\<( la sol fad
) sol
( fad mi dod
) |
416 mib
,8(\f_\! sib
' \t {si fad
' sol
)}
417 \t {re
'(\p si lad
} \t {si lad fad
)} \t {re
'( si lad
}
418 \t {si lad fad
)} |
\t {re
'( do sib
} \t {si la sol
}
419 \t {fad
) si
( lad
} \t {sol
) lad
( sol
)}
420 \stemDown \tt {fad
_(\< sol red dod do
)} |
421 \tt {mi
,(\f red
' sol red lab
')} \stemNeutral
422 \tt {si
( lab sol red do
)}
423 \tt {mi
,( si
' re fa lab
)} |
424 \tt {si
( lab sol re sib
)}
425 \tt {mi
,(\< si
' fad
') sol
_( re
'} \clef treble
426 \t {la
') sib
( fa
'} do
'4) |
\clef bass
427 <la
,,,, la
'>1.*1/3-
\dyn "ffppp"\laissezVibrer \clef treble
429 \t {sold
') la-- mi
,--
(\laissezVibrer} |
431 sold
'--
\laissezVibrer
432 la
2.--
)\laissezVibrer r
4 |
437 r
2 r
4 \ottava #-
1 la
,,,,,2._\ppp\laissezVibrer \ottava #0
439 r
2 r
4 \ottava #-
1 la
2.\laissezVibrer \ottava #0
441 la
4. \ottava #-
1 la
,8-
.\laissezVibrer \ottava #0 r
2
444 <mi la sib dod red
>1.--
\fp~
^"m.d."
445 \hideNotes <mi la sib dod red
>~
446 <mi la sib dod re
> \unHideNotes
447 <mi la sib dod red
>2-
.--
\f^"m.d."
449 <\letter "e" mi
\letter "a" la
450 \letter "n" sib
\letter "i" dod
453 \hideNotes <mi la sib dod red
>2 \unHideNotes
454 \oneVoice r
2 r
8 \voiceOne <dod
' fa sol
>4.--
\mf
455 <mi la sib dod red
>1--
\laissezVibrer
456 \oneVoice r
4 \voiceOne <dod fa sol
>-
.-
"sec"
458 r
4 <dod red la
' sib
>-
. r
<red la
' sib dod
>-
. r
2 |
460 r
1 \ottava #-
1 la
,,2_\ppp\laissezVibrer \ottava #0
461 s1 \oneVoice red
'2--
_\mp_"(loco)"
463 <mi la sib dod red
>1.\f~
464 \hideNotes <mi la sib dod red
>1 \unHideNotes
467 r
4 re
!16(^\< mi
) sol-
. dod-
. fa
2--
^\!
468 r
4 <re
' mi
>8-
._\p <dod
, fa sol
>-
. |
469 s2. <dod
, fa sol
>4-
. r
2 |
470 \pl {r
2 r
4 r
8 \ottava #-
1
471 la
,-
._\ppp <la sib
>4-
. \ottava #0 }
472 {r
4 <mi
'' lab sib dod red
>2.--
\p\laissezVibrer
477 dod
'-
. mi-
. sib
'4-
. r |
478 mi
' r
<do
,, sib
'>-
.\arpeggio |
479 r
2 s4 r
2 r
8 \ottava #-
1 mi
, \ottava #0 |
480 \pl dod
'4-
. {dod
16(\fp la
' si do
)}
481 \pl \t {fa
8( sib mi
)} fa
,4 r |
483 r
2 s4 r
2 \t {r
8 dod-
. mi
,-
.} |
485 \letter "e" mi
'-
. \lettersOff |
486 \ottava #-
1 sib
,8-
.-
\dyn "p_sempre" do
,-
.
489 r
4 \t {\letter "e" mi
'''8-
.( \lettersOff sib-
. fa-
.)}
490 do
16 \md si
' \mg la
,, dod
' |
493 s2. r
4 r
8 \ottava #-
1 la
,,4._\ppp\laissezVibrer
496 <mi
'' la sib dod red
>2.\f~
<mi la sib dod red
>~
497 <mi la sib dod red
>~
<mi la sib dod red
>\laissezVibrer
500 \ottava #-
1 la
,,2\pp sib
4~ sib la
2~ |
501 la
4 si
2~ si
2.~ si
2. la~ la |
502 do~ do~ do~ do
<la la
'>--~
<la la
'> |
503 <do do
'>--~
<do do
'>~
<do do
'>~
<do do
'> |
504 r
4 <la la
'>2--
<do do
'>2.--~
505 <do do
'>2 la
4-
.--
\laissezVibrer
506 \ottava #0 R
2. r
4 mi
'''2-
.--
_\p\laissezVibrer |
507 R
2.*2 mi
2.-
.--
\laissezVibrer R
2.*3
510 re
2-
.--
\laissezVibrer \t {r
8 mi
4-
.--
\laissezVibrer} |
511 R
2. \t {re
2-
.--
( mi
4-
.--
)\laissezVibrer} r
4 |
512 R
2. re
2.-
.--
\laissezVibrer mi
2-
.--
\laissezVibrer r
4 |
513 re
2-
.--
\laissezVibrer r
4 r
2 s4 |
515 fa
,4--
( mi
2--
) mi
2.-- |
516 <do
'! mi
>2.--~
<la mi
'>~
<la mi
'>2 r
4 |
517 r
4 s2 R
2. r
4 \ottava #-
1 la
,,2\laissezVibrer \ottava #0 |
518 R
2.*4 r
4 \quasiHarp la
''2\laissezVibrer R
2.*4 r
4 <do
'! mi
>2--~ |
522 mi
8 do
' \stemDown \md \t {si
' sol sold
} red
'4 |
\stemNeutral \mg
523 red
,,8 dod
' \stemDown \md \t {sol
'4 si
, la
'} fa
'2. |
\stemNeutral \mg
524 <la
,,,, la
'>2.*1/3-
\dyn "pp_al fine"\laissezVibrer \clef treble
525 la
''''16( mi dod sold
') la
( mi dod sold
') |
526 la
( mi dod sold
') la
( mi dod sold
') la
( mi dod sold
') |
528 \letter "y" la
( \letter "e" mi
,\laissezVibrer
529 \letter "u" dod
' \letter "x" sold
')
530 \lettersOff la
( mi dod sold
') la
( mi dod sold
') |
531 la
( mi dod sold
') la
( mi dod sold
') la
( mi dod sold
') |
532 la
( mi dod sold
') la
( mi
,\laissezVibrer dod
' sold
') la
( mi dod sold
') |
533 la
( mi
, dod
' sold
') la
( mi
, dod
' sold
') la
( mi
, dod
' sold
') |
534 do
,--
( mi
, dod
' sold
') la
( mi
, dod
' sold
') la
( mi
, dod
' sold
') |
535 do
,--
( mi
, dod
' sold
') do
,( mi
, dod
' sold
')
537 \letter "o" do
,( \letter "e" mi
,
538 \letter "i" dod
' \letter "l" sold
') |
542 \letter "s" sol
( \letter "o" do
,
543 \letter "i" dod
, \letter "r" fa
')
544 \lettersOff \t {la
,8( la
, sib
')} |
545 do
,16( dod
' mi
, sold
)
547 \ttt {\letter "s" sol
( \letter "o" do
,
548 \letter "l" sold
\letter "e" mi
549 \letter "i" dod
' \letter "l" sold
')}
550 \lettersOff do
,( mi
, dod
' sold
') |
551 \clef bass
\lettersOn
552 \letter "v" red
( \letter "a" la
,
553 \letter "i" dod
\letter "n" sib
')
556 \t {red
'8( \stemUp la
, \stemDown dod
')} |
559 la
,,4._\ppp\laissezVibrer
564 %------------------------------------------------------------------%