Syntax update, and minor improvements
[opus_libre.git] / scores / sonate / variations.ly
blob511ed2e757b80e2057b7881da993851384a9bf09
1 %-- Piano Sonata -- variations.ly ----------------------------------%
2 % (c) 2009-2012 Valentin Villenave <valentin@villenave.net>
4 \language "italiano"
7 \layout {
8 \context {
9 \Voice
10 \remove Forbid_line_break_engraver
11 \override Glissando #'breakable = ##t
12 subdivideBeams = ##t
16 UnPianoMd = \relative do' {
18 %%% Variation I %%%
19 si'2--\p si2~( si8. do16 | si2.) si2 |
20 si2.( la2) | si1*5/4 |
21 si2--(\dyn "p_sempre" si2.--) |
22 si2~( si8. do16 si2~ | si\> la2.) |
24 si2\! si~( si8 do | <sold la si>2.)\pp si2 |
25 si2.~( si8 la?~ la4) | si1*5/4\> |
26 si2\dyn "p_sub."
28 \pl {
29 s2. r2 <mi,? fa>2. s1*5/4 |
31 \oneVoice si'2~( si8. la16 |
32 \voiceOne si2.) la2~( |
33 \oneVoice la4\> lad si2.\!) |
36 \pl {
37 <reb,mib>2 <reb mib>2. |
38 <reb mib>2 <reb mib>2. |
39 <reb mib>2 <reb mib>2. |
40 <mi? fa>1*5/4\laissezVibrer |
41 r1 <mi fa>4~ | <mi fa>2 <mi fa>2. |
43 sol2\mp sol~( sol8. lab16 |
44 sol1) fa4~( | fa2 sol2.) |
45 si4.(\dyn "più_p" la8~ la4 si2~ |
46 si4~ si8. do16 si2.~) | si2 si2. |
48 <re,? la'>2(\> <mi fa si>2.)\! \fermata |
50 %%% Variation II %%%
51 r4 si'2~--\pp si8. do16( si2.) |
52 r8 si--~( si4.. do32 si la4~)
53 la8 r \stemUp \t {la4( si8~)} si r \stemNeutral |
54 si8(\dyn "poco_più" do~) \t {do reb,( do'~)}
55 do do--~ do4 si8.( do16~) do4 \t {r8 \longHairpin si(\< do)} |
56 do(\! reb~) reb reb4-- do8--~ \t {do re,!( do')}
57 do(\< reb~ \t {reb do si'\!~} si do,?) |
58 r8 reb16( mib~) \t {mib8 la,?( si~}
59 si32\> mi fa,8 sol16~ sol8 do,)
60 \t {r4 si'8--~} si2 |
62 r4\! si2--\pp \t {do8( si4~)} si2. |
63 r8 si--~ si4~ si16\< -"cantando" la8( red16~
64 red16.\! do,32 fa8~) fa4. si8--~ si r |
65 la8\dyn "p_dolce" ( sib~) \t {sib sold( la~)}
66 la16 sib( sold la)
67 la8( sib~) sib16 fa( mi'?8~)
68 \t {mi la,16.-- sold'32 sib,8--~} sib r |
69 si(\dyn "poco_più" do~) do16 do8-- fad16(
70 \tt {sol,16) mib'( la dod, sib)}
71 \halfBeat
72 mi32->( fa,16.) \t {la'16( sib, mi}
73 \t {fa,4--) do'16(\> reb,~)} reb8.\! mi16
74 la16(\< fa) \t {lad( si do)} |
75 \fullBeat
76 \tt {dod8--(\! re-- mib16--~)}
77 \ttt {mib si'( la mi sol lab,)}
78 \ttt {si'( la mi fad sol, do}
79 \tt {sib) la'( fad sol, red'}
80 \showStaffSwitch
81 \tt {\mg re,) \hideStaffSwitch \md la''( fad sol, mi')}
82 fa,(\> dod' sol') si, \t {sold'8( la lad)} |
84 si2.\ppp \startTrillSpan ~ si8\stopTrillSpan la\startTrillSpan ~
85 la4~ \t {la(\stopTrillSpan si) sold8 \t {sold16( la lad}} |
86 \halfBeat
87 si4)\startTrillSpan ~ \tt {si32(\stopTrillSpan do si do si}
88 la8)\startTrillSpan ~ \t {la16\stopTrillSpan si( sold}
89 \t {si32 sold sol)} si16~
90 \t {si mi,16.(-- fad32)} \t {red8-.-- si'16--~}
91 si do( si8)\startTrillSpan ~ si4~ si8~ si16\stopTrillSpan r |
92 si32(\< la si sold sol si) mi,( fad)
93 \t {red4(\! si'8)\startTrillSpan ~}
94 \fullBeat
95 \t {si8.\stopTrillSpan do,16( si8)\startTrillSpan ~}
96 \t {si16\stopTrillSpan do8(->--} \t {reb->-- si16~->--)}
97 si32\> reb( do solb' fa la si16\!)\startTrillSpan ~
98 si4~ si8\stopTrillSpan r |
99 \showStaffSwitch
100 \graceNotes \lightBeams \tuplet 12/8 {
101 r32 la(_\mp si sold sol sib mib, re fad do reb fa
103 \t {\mg \stemUp re,!4--) \md \stemNeutral si'8--\startTrillSpan ~}
104 si4~\> si8.\stopTrillSpan \stemUp la16( si8)\! r
105 \hideStaffSwitch \halfBeat
106 do16(\p si8) do16( \t {si8) la16~(} la16 si32 sold) | \stemNeutral
107 \t {sol4_( si8)\startTrillSpan ~} si8~ si\stopTrillSpan ~
108 si16. do32( si8~) si r <re, la'>4\>(
109 <mi fa si>2)\!\laissezVibrer \fermata |
111 %%% Variation III %%%
113 r8 solb'--^\mp ~ solb16. fa32( solb8)~
114 solb16 fa'--( mib32 do sib solb)~
115 solb16. lab32( fa16.) sol32( |
116 \t {mi8) red'16--(} \t {dod lad sold}
117 mi16.)_\> lad32(-> mi8)~
118 \fullBeat
119 \ttt {mi16_\! red'--( dod lad sold mi)~}
120 \halfBeat
121 mi16. fad32( mib16.) fa32( |
122 \t {re8)\dim dod'16(} \t {si sold fad)}
123 \t {re8( do'16} \t {sib sol fa)}
124 \tt {reb( si' la fad mi)} |
126 r4\pp \pl {
127 <do>2\arpeggio
128 r4 do2.--
129 s2 s8 \hideNote do_~
130 do8.[ reb16]( %%%FIXME: no flag???
131 do4)
133 <si'>4.^(\arpeggio do8
134 si2)~ si8 si4.--
135 \oneVoice \t {r4
136 <fa mi'>^(^-\arpeggio
137 <mib re'>^-\arpeggio }
138 \set tieWaitForNote = ##t
139 \voiceOne \tupletDown \t {r16 do_~ si'^-)~}
140 \tupletNeutral <do, si'>8~ si'4~ si
141 \set tieWaitForNote = ##f
143 r8 <solb fa'>--_\dyn "rf" _\> ( ~ \t {<solb fa'> mi' mib} |
145 <do, si'>2--)_\pp \ottava #1
146 \pl {
147 \oneVoice r16. lad''32(_\sf si,8)~ \t {si do,( si')~}
148 \voiceTwo si4~ \t {si4 do,8^- ~} do4
150 s2 r8^\cresc solb''-- ~ solb16 solb8.->-- ~
151 \halfBeat
152 solb16 lab \t {fa_(^\! solb lab)}
154 <si, lad'>8->-- \mf <si lad'>--~ <si lad'>16. si32( lad'8)->
155 do,16\<( si)~ \t {si do,_( si')\!} |
156 \pl {
157 \halfBeat
158 r16. do32(_- si8)~ si16 la^(~ \t {la si sold)}
160 lad'8->-- \t {r lad16--~} lad4
162 \ottava #0
163 \fullBeat
164 si,16(-"loco"\dyndim "dim. molto" sold sol si)~
165 \tt {si sol( sold mi red} |
167 fad8.)\dyn "p_semplice" mid16( fad2)~
168 \halfBeat
169 fad16 do( reb32-- do mid fad)~ |
170 fad8 \t {do16( si'8)~} si16 sol? sold32( mi red fad~
171 fad16 sold) \tt {mid32(\< fad sold sib la)} |
172 <do, si'>4--\mp \pl {
173 do2~ do8. reb16
175 si'4.-- do8^( si2*1/2)\laissezVibrer
176 } \fullBeat do,16(\> do' \ottava #1 si si'--)~
177 si\! la( fa?8-- \t {sol\> mi mib)} |
179 solb4--\pp solb4..-- lab16( |
180 fa4) r8 solb-- \t {r16 solb( lab}
181 solb8)\startTrillSpan ~ \tt {solb8\stopTrillSpan r16 fa( solb)} |
182 \pl {
183 do,8(-- si-- si-- do-- si4--)
185 si'2.--
186 } r4 \ottava #0 |
187 r4 r8 \pl {
188 s8 s4
189 s4 r8 r16 reb,,( do4)~
190 do s do2~ do8
192 \oneVoice si'8-"(loco)" _\dyn "p_très clair" ~
193 si8.-- la16(~ |
194 \t {la8 si4)~} \voiceOne si2~
195 si4 \oneVoice <fa mi'>8(-- <mib re'> --\voiceOne
196 si'8.--) do16( si4)~
198 } r \t {r \stemUp <si, lad'>4-- \stemNeutral }
199 \longHairpin <re, la'>2(\> |
200 <mi fa si>2.)\! \laissezVibrer \fermata
202 %%% Variation IV %%%
203 <do fa sol si>4.^-^( \dyn "f_(franc)"
204 <mi la si red>^-)~ <mi la si red>2 r4 |
205 <do fa sol si>^-( <mi la si red>^- <fa sib do mi>^-) |
206 <mi la si red>2.^- ~ <mi la si red>4 r <do fa sol si>^- |
207 <mi la si red>2^-( <fa sib do mi>4^-) |
208 \pl {
209 %% ...or <mib solb lab>8[ sib]? I’m hesitating.
210 s4 <mib solb lab>8[ si'] s4
212 \oneVoice <mi, la si red>^-(
213 \voiceOne re'^-
214 \oneVoice <lab reb mib sol>^-)
216 <mi la si red>2.^-\laissezVibrer R2.
217 r2 <do fa sol si>4-- |
218 <mi la si red>2( <fa sib do mi>4) |
219 <mi sold lad red>2.-- |
220 r8 <do' fa sol si>~(\>
221 <do fa sol si>4^"(espr.)" <mi, la si red>)~\! |
222 <mi la si red>2 r4 |
224 r4 \t {<mi la si red>8\fff ( <fa sib do mi> <do fa sol si>}
225 <mi sold lad red>) r16. \longHairpin <lab reb mib sol>32->\< |
226 <do mi fad si>2->--\! r8
227 \t {<mi, sold lad red>16( <fa la si mi> <do mi fad si>} |
228 <mi la si red>8) \t {r32 <lab do re sol>->\< <do fa sol si>->}
229 <mi sold lad red>16~->--\! <mi sold lad red>4. r8 |
230 \tt {
231 <do, mi fad si>16_\fff ( <fa' sib do mi> <mi sold lad red>
232 <lab,, do reb sol> <la re mib sold>
233 } \t {
234 <mi' la si red>8-.) \mg
235 <mib, sol la re>-.-- <solb sib do fa>-.-- \md
237 \tttt {
238 \stemDown <la'' dod red sold>16-> \mg \stemUp <do,,, fa sol si>-> \md
239 \stemDown <lab''' re mi sol>(-. <sib,, reb mib la>-.
240 <mi fa re' dod'>-. <reb' do'>-. \mg \stemUp <sol,, si dod fad>-.) \md
241 } | \t {\stemNeutral \tupletDown
242 <do fa sol si>4^(^\dyn "mp_sub." <mi la si red>8)~ } <mi la si red>2 |
243 \pl {
244 s4 \noTuplet \tt {s16 <lab' sol'> s <fa mi'> r} s4 s2.
246 \ottava #1
247 \oneVoice
248 <la re mi sold>16(\fff\< <lab reb fa sol> <do mi fad si>8->\!)~
249 \voiceOne \tt {<do mi fad si>16 sol'->
250 <la, dod red sold>(-> mi' <mi, sold lad red>)~}
251 \oneVoice <mi sold lad red>32 \bracketDown "m.s."
252 <fad' sol,>->( \ottava #0
253 <mib,, lab sib re>8.)-"(loco)" ~ |
254 \t {<mib lab sib re>4 <do' mi fad si>(^"(espr.)" <mi, la si red>~) }
255 <mi la si red>8 r
258 <lab, reb mib sol>4--\dyn "mp_calorosamente" %% FIXME: is that a word?
259 <lab reb mib sol>4..-- <sibb lab'>16( |
260 <lab do re sol>2) r4 |
261 <lab reb mib sol>4--^( <do mi fad si>2--) |
262 r4 \t {<lab reb mib sol>--^(
263 <do mi fad si>-- <reb solb lab do>--)} |
264 <do fa sol si>2-- <si mi fad lad>4-- |
265 <sib re mi la>--( <la re mi sold>--
266 <la'? do re sol!>--)_"(dolce espr.)" |
267 <mi sold lad red>2.-- |
268 <do mi fad si>4--( <mi la si red>-- <fa sib do mi>--) |
269 <mi la si red>2.-- |
270 <do fa sol si>2~--^(\mp <do fa sol si>8 <mi la si red>~--) |
271 <mi la si red>2 \stemUp <do' mi fad si>4^~^( \> |
272 <do mi fad si>8_"(molto espr.)" <mi, la si red>~)\!
273 \stemNeutral <mi la si red>2 |
274 r4 <re la'>2( | <do mi fa sol si>2.)\laissezVibrer
276 %%% Variation V %%%
277 \fullBeat
278 do4--~\dyn "mf_(con Ped.)" \t {do8 do4~} |
279 \t {do8. si16( do8)~} do4~ |
280 \t {do8 si( do} \t {si \mg mi, red} |
281 \md do'4) \t {si8--( si-- do--)} |
282 \tt {solb'--( fa-- red16--~} red\> mi) lab( sol) |
283 si4.-- \dyn "p_dolce" do8( si4)~ |
284 si8 do do( si) fa'( solb) |
285 si,2~ si8 do( | si2) si4~ |
286 si8 sib la( lab) fab'( mib) |
287 sol,4.-- sol8--~ sol4~ |
288 sol8. sol16--~ sol8 lab16( sol)~ sol8 mi? |
289 red( fad lad si)~ si16 reb,8( do'16~ |
290 \t {do8 si'4)\laissezVibrer } r8 sol,--~ sol4~ |
291 sol8 sol--~ \t {sol la lad(~} \t {lad si) la'16( si} |
293 <do, la' do>4.)\dyn "mf_malinconico" %% FIXME: word?
294 <si sold' si>8( <do la' do>4)~ |
295 <do la' do>8 <si sol' si> <si sol' si>( <do lab' do>)
296 <mi, do' mi>( <red si' red>) |
297 <si' sol' si>4.-- <do la' do>8( <si sold' si>4)~ |
298 <si sold' si>8 <do lab' do> <do lab' do>( <si sol' si>)
299 <sol' mi' sol>( <lab fa' lab>) |
300 <si,? sol' si?>4.--\> <si sol' si>8 <fa'? re' fa?>(\! <mi dod' mi>) |
302 \ottava #1
303 \t {<sol sib>4(^\> <red' fad> dod)~} dod8^\pp <sib' la'>-.-- |
304 r4 <sol si dod fad>--( <fad do' re fa>--) |
305 r <dob mib fa sib>--( <sib mi fad la>--) |
306 \ottava #0
307 r <sol sid dod fad>-- r |
308 r <mib lab re>(\> <do fa reb'>)\! |
310 \pl {
311 <lab reb sol>2*3/2--\laissezVibrer \p <lab sol'>--
312 <lab reb mib>4--( <lab reb mib>2--) lab-- s4 s2.
314 mib'4.-- fab8( mib4)~ mib8 do si( re fad sol)~
315 sol4. lab8( sol4)~ sol8[ mib]
316 \oneVoice mib[(_"dolce" re] sib'[ la]
317 dod,4.)\> do8 do^( fa,?)\!
320 si,4--~\mp \t {si8 si4--~} | \t {si8 do( si)~} si4~ |
321 \t {si8 \mg \stemUp do,(\dyn "cantando" si)} \t {lab^( mib' do} |
322 \set tieWaitForNote = ##t
323 \md \stemNeutral si'4)~\> \t {si8 la~ re~} |
324 <la re sol>2\!\laissezVibrer \fermata
325 \set tieWaitForNote = ##f
327 %%% Variation VI %%%
328 r8 r16 sol'->_\sfp \t {fad,8^[_( \mg la fa!])~}
329 fa16\mf do8_( \md <red' si'>16)\arpeggio ~
330 <red si'>16 sold32-. \mg mi, \md re'8--~
331 \t {re_\< \mg dod,_( sib'} \md |
332 <dod' sib'>2*1/8->_\!) \arpeggio s8.
333 \stemDown la8.-- <do, fa>16 \stemNeutral
334 \t {do'8(_\< sold' si)~}
335 si8._\! fad16-. r mi^( <dod, sib'>8)\arpeggio
336 r16_\dyn "sffz" r32 dod''-> do,16--
337 mib--(~ \t {mib8 si,?4--)}
338 r16 fad'''_\p ( sol,8) r16
339 \stemUp sib^(-. lab,-. \mg sol,)~ sol8\> mi^- |
340 \md r8 \tupletUp \t {r8 sol'16->}\tupletNeutral
341 fad,16-- la8.--\laissezVibrer
342 r8 \ottava #1 mi''''16^(_\sf sold,,) %%%BUG
343 \t {red'4_- \ottava #0 re,,_-_"loco" \stemUp \mg dod,^-} |
344 \halfBeat
345 \stemNeutral \md \t {r16 mi'''(-> _\> fa,~} fa re)~
346 \t {re8_\! \mg \stemUp sol,,( \stemNeutral \md sold')}
347 \fullBeat
348 \pl { r4 la8_"(loco)"\mf}
349 {\ottava #1 r32 dod'(_\pp red'8.-.) \ottava #0
350 r4 r8 \ottava #1 lad'-.}
351 r4 \t {sib,8(^\p re,4)} r4 r8 r16 fad'-. \ottava #0
352 \t {r8 red,,,4--_"loco"} |
353 r16\cresc \ottava #1 re'''32->( fad, la sib, mi,16)-. r16 mib8.--
354 \pl {r16 do8.--\laissezVibrer r2} {r8 si'''64(-> fa do16.)~
355 \t {do4^\ff lab-- sol--}} \ottava #0 | \break %%FIXME
356 sib,,8-"loco"(-- <fa, do' mi>--)
357 \pl {dod''16(\< fad8.) <sol do fa>8\!^>^- <si, si'>->\arpeggio}
358 {r8 \ottava #1 sold'''32(-> la dod,16-.) s8 si->}
359 \t {si'4->\fff \acciaccatura sol8 fad,8~^\ff} fad16 la-> fa8-> |
360 \ottava #0
361 \clef bass \graceNotes \lightBeams {
362 sol,,32-> fad,^"non legato" la fa si, do' \clef treble dod sib'
363 sol' fad, la fa sib, re red mi sold, sold' si dod sib' sol' fad, la
364 fa do dod' mi si' do re, mib \ottava #1 \stemUp
365 re'32 la mi' fa sold, la' \stemNeutral <lad, fad'> lad' } |
367 \pl {
368 r4 \ottava #0 <do,,,, re mi fa sol la si>8--^"loco"^\f
369 <do' re mi fa sol la si>--^\f
370 r4 r8 r16 <re mi fa sol la>-._\f r4
371 r4 \ottava #0 \t {\voiceOne <sol,, si la'>16^"loco"-.
372 <la do si'>-. <re fa do'>-.
373 <mi sol re'>-. <sol' si la'>-._\< <la do si'>-.}
374 \ottava #1 \t {\voiceTwo <re fa do'>^. <mi sol re'>^.
375 mi'64^( fa sol la) r8._\ffff_\>}
376 \t {<do,, si' re>16-. <si la' do>-. <la mi' sol>-. <sol re' fa>-.
377 \ottava #0 <do,, si' re>-.^"loco" <si la' do>-.}
378 \t {\voiceOne <la mi' sol>_. <sol re' fa>_. \oneVoice r_\!} <mi'' fa>8--
379 \voiceTwo r4*1/4 s4*3/4 \t {r8 \ottava #0
380 <do, re mi fa sol la si>4-- \laissezVibrer }
381 r4 \t {<do' fa sol si>8^( <re mi la>) <do' fa sol si>(}
382 \t {<re mi la>)\< <do' re sol la>-- <mi fa>--}}
383 {<si si'>2->--\ffff \ottava #1
384 <do do'>8->(\ffff <si si'>)->~ <si si'>2*3/8
385 <re, mi fa sol la>16-. s4
386 <si' si'>2->-- _\dyn "ffffp" r8 <si si'>8~->-- si'2
387 r16 \oneVoice \ottava #1 <do, do'>32->\ffff si' <la, la'>8->--~
388 \voiceOne <la la'>8. \ottava #1 <la la'>16~->(
389 <la la'>8 <si si'>->--)~ <si si'>2}
391 \pl r4 <si si'>2*1/2->--^\sfz\laissezVibrer \>
392 \halfBeat
393 r8\mp \lightBeams \graceNotes {do'32( si, re la)
394 sol(^\dyn "pp_élégant" fa, la mi)
395 \tt {re( sol do mi si}
396 fa') do'( re, mi' \t {fa16_\> sol la} si8)_\! } r |
397 \tt {r16 re,,,( sol do la'} <si si'>4)
398 \fullBeat
399 \pl {\ottava #0 <si,,, mi fa si>4._-_"loco"_(
400 \ottava #0 <do re sol la>_-_)
401 \ottava #0 <si mi fa si>2_- _"loco" <si mi fa si>2*1/2_- }
402 { r16^\pp r32 \ottava #1 <la''' do'>_( <si si'>8)\laissezVibrer s2 |
403 r32 \ottava #1 \lightBeams \graceNotes {
404 do'( si) re,( mi sol la) fa
405 mi, sol re( la' si fa do') si, \ottava #0
406 do la^"loco" re, mi( fa\> si sol do,)}} \clef bass
407 \halfBeat
408 \t {r16 \lightBeams \graceNotes { la,( si,)}}
409 \lightBeams \graceNotes {do32 mi, re'( mi
410 \tt {fa) sol, fa( la sol')}} r8 |
411 \clef treble \pl <do mi fad si>2*1/2--\p
412 \t {\tupletBeat r8 \ottava #1 fad'''32_>_( sol la si si,_> do re mi)}
413 \halfBeat
414 \t {fa16-.(_"(with swing)" reb-. mib-.}
415 \t {lab,-. sib-. fa-.)} \ottava #0
416 \t {r16 sib,(\> reb} \t {mib) fa,(-. lab-.)}
417 \pl r8 <si,, dod mid sold lad>2*1/4\mp-- \clef bass
418 r32 lab(^\ppp mib fad si,16) r \clef treble
419 \ottava #2 \lightBeams \graceNotes
420 \t {do'''''( lab sib)} \ottava #0 |
421 \pl {r16 <do,,,, fa sol si>4..--_"loco"}
422 { \t {r8 \ottava #1 \acciaccatura do''''16-> si,8-- re-.}
423 \oneVoice \t {sib \acciaccatura mi16-> red,8-- fad-.} }
424 \t {re \ottava #0 \acciaccatura lab'16-> sol,8-- sib-.(}
425 fad-.) si,4.\glissando ^"gliss." \ottava #1 |
426 si'''4->-- r si,,,\<\glissando si'''->--\! \ottava #0
427 \pl { s4 r } { \oneVoice si,,,,-"loco"\<\glissando
428 \ottava #1 <do'''' do,>2*1/2->--\fp\laissezVibrer }
429 \ottava #0 \acciaccatura sol,,16-> fad,8( la16 fa)~ fa16
430 \ottava #1 \acciaccatura <mi'' mi'>16_\sfz \ottava #0
431 <fa,, fa'>8--_"loco" do16--(~
432 \t {do16 red si'-.)} sold32->( mi re16--)~ \t {re8 dod'(-. sib'-.)} |
433 \ottava #1 \pl r8 <fa' fa'>2*1/4->--\fp\laissezVibrer
434 \acciaccatura reb'16-> do,8-- ~ \ottava #0
435 \parenthesize do16_"loco" mib( si8)~_\> \t {si16 fad( la} fa8--_\!)~
436 fa <sib, re>-.-- \acciaccatura lab16-> sol,4-- |
437 \pl r16. <si'' si'>2*3/16--\laissezVibrer\mp
438 sol,32-> s8 r8 \t {red16( si' sold')~}
439 sold mi--~ \t {mi dod(-. sib'-.)} r4
440 \ottava #1 <do' re sol la>( |
442 %%% Variation VII %%%
443 <si mi fa si>1*5/4)\laissezVibrer \ottava #0
445 { \voiceTwo
446 <mi,,, fa>2--(\p <mi fa>2.--)
447 <mi fa>2--( \ottava #0 <mi fa>2.--)
448 <mi fa>2--( <mi fa>2.--)
449 <mi fa>2--( \ottava #0 <mi fa>2.--)
450 <mi fa>4( <dod re>2) <mi fa>4-- <dod re>--
451 <dob mib sol sib>2.->--
452 \mg \stemDown <do mib sol>8(
453 \md \ottava #0 <mib sol sib>~)
454 \oneVoice \t {<mib sol sib>_\> <do mib sol>( sib')_\!}
455 } \\ {
456 \voiceOne
457 si2-- si(~ si8. do16 si1) si4--~
458 si8. do32( si la2)~ \ottava #0 la8 la4_(_\> \ottava #0 si8)~
459 si2._\!~ \ottava #0 si8 sol( si4)~
460 si8_\< la(--~ la si--~ \t {si sold4--)_\!}
461 \t {r8 \longHairpin si--_(_\mf_\< la)} sold--( fad--)
462 \t {do''4\rest _\! \ottava #1
463 <dod' mi sold si>4_(_\ppp <re mid fad la>}
464 <dod mi sold si> <re mid fad la>2*1/2) s4
465 } \\ {
466 \voiceThree
467 s1*5/4
468 la4\rest \ottava #1 sib'1-.--\laissezVibrer
469 r2 do,8\rest \ottava #1 fad4.-.-- \laissezVibrer
470 \ottava #1 dod4-.-- \laissezVibrer
471 r4 \ottava #1 <re sol>-.-- \laissezVibrer
472 r8 \ottava #1 <do la'>-.-- \laissezVibrer
473 s2 s1*5/4*2
476 <si,,, mi fa si>1*5/4--\p <si mi si'>2--( <si re la' si>2.--)
477 \pl {
478 \oneVoice <do fa sol si>2--_( \voiceTwo <do fa sol si>2._-)
479 s2\mp <do fa sol>2.-- r4 \longHairpin
480 <do fa sol si>2.--\< do'8^( si)
481 <do, re sol>1*1/2-- \voiceThree r4
482 r8 <dod'' red fad sold lad>4.-- \breathe
483 \oneVoice <do,, reb lab'>2^-^(
484 \voiceTwo <do reb lab'>^-)~ lab'8 solb^(
485 <do, reb lab'>2) <mi la si>2.--
486 <do reb>1*5/4--
489 s2 r4 \t {r8 re''(^"loco"_\ppp la'} re,4)
490 \oneVoice <do,, fa sol si>2--~ \voiceOne si'8. do16( si2)
491 \t {do'8\rest do( si')~} si mi, fa4^(~ \t {fa8 sol4)\laissezVibrer} s4
492 si,,2(\mf\> la2.) s2\pp^"sotto voce" r4 r8 lab'~ lab4\laissezVibrer
493 r4 mib^(~ mib8. fab16 mib2) |
494 lab,2.(\> solb2)\! \breathe
496 <reb mib sol>2--(\dyn "p_possibile" <reb mib sol>~-- sol8. lab16 |
497 sol2.--) \longHairpin lab2(\> <re, mib fad>1--)\! r4
498 \pl mi1*5/4_-_"dolce assai" {r4 r8 fa^(~ fa2 sol4)} |
499 <re sol la>2^(~\> <re sol la>8 <mi fa si>2*5/4)\!\laissezVibrer\fermata
502 UnPianoMg = \relative do' {
503 <mi fa>2--( <mi fa>2.--) |
504 <mi fa>2--( <mi fa>2.--) |
505 <mi fa>2_"simile" <mi fa>2. |
506 <mi fa>2 <mi fa>2. |
507 <do fa sol>2 <do fa sol>2. |
508 <do fa sol>2 <do fa sol>2. |
509 <do re sol>1*5/4-- |
511 <mi fa>2 <mi fa>2. |
512 <fa sol?>2 <fa sol>2. |
513 <mi fa sol>2--( <mi fa sol lab>2.-- |
514 <mi fa sol>4..-- solb16 <mi fa>2.--) |
515 <red mi>2 <red mi>2. |
516 <red mi>2 <re mib>2. |
517 <re mib fa sol>1*5/4-- |
519 r4 do2. r4 | r do2. r4 |
520 r do2 do |
521 \pl {
522 r4 do~do2.
524 <reb mib sol>2 <reb mib sol>2.
526 <do reb sol>2 <do reb sol>2. |
527 \pl {
528 <do reb>2 <do reb>2.
530 sol'4~( sol8. lab16 sol2.)
532 r2 <do, re! sol la!>2.\fermata
534 %%% Variation II %%%
535 \clef bass
536 mi4--_( fa,-- si-- do,-- sol'-- si-- fa--) |
537 mi'--_( fa,-- si-- do,-- sol'-- si-- fa--) |
538 mi'--_( fa,-- si-- do,-- sol'-- si-- fad--) |
539 sol'--_( lab,-- red-- mi,-- si'-- la-- dod--) |
540 sol'--_( lab,-- red-- mi,--) si'--_( la-- lab--) |
542 sol--( fad-- fa-- mi--) lab--( sol-- fad--) |
543 sol--_( fad'-- fa,-- mi'-- do,-- si'-- fad--) |
544 re'--( dod-- do-- si--) mib,--( mi-- fa--) |
545 re--( dod'-- do,-- si'--) fad--( sol-- sold--) |
546 la--_( sold'-- do,,-- reb'--
547 \stemDown mi,-- \stemNeutral mib-- sib'--) |
548 mi--( fa,-- si-- do,-- sol'-- si-- fa--) |
549 mi'--( fa,-- si-- do,-- sol'-- si-- fa--) |
550 mi'--_( fa,-- si-- do,-- fa-- si-- sol--) |
551 si--_( \stemDown do,--) \stemNeutral re--( fa--) sol--( si-- fa--) |
552 si--( fa-- si-- mi--) r \clef treble
553 <do re sol la>2\fermata \laissezVibrer
554 \clef bass |
556 %%% Variation III %%%
557 \tt {si16_"legato assai"
558 \dyn "pp_sotto voce, con Ped." do, re fa sol}
559 \tt {si do, re fa sol}
560 \tt {si do, re fa sol} |
561 \tt {si do, re fa sol}
562 \tt {si do, re fa sol}
563 \tt {si do, re fa sol}
564 \tt {si do, re fa sol} |
565 \tt {sib do, reb fa sol}
566 \tt {sib do, reb mi fad}
567 \tt {lad si, dod mi fad}
568 \tt {lad si, dod red fad} |
569 \tt {la sib, reb mib fa}
570 \tt {la sib, do mib fa}
571 \tt {la sib, do re mi} |
573 \tt {sold la, si re mi}
574 \tt {sold la, si re mi}
575 \tt {sold la, si re mi} |
576 \tt {sold la, do re mi}
577 \tt {sol la, si re mi}
578 \tt {sold la, si re mi}
579 \tt {sold la, si re mi} |
580 \tt {sold la, si re mi}
581 \tt {sold la, si re mi}
582 \tt {sold la, si re mi}
583 \tt {sold la, si re mi} |
584 \tt {sold la, si do red}
585 \tt {sold la, si do red}
586 \tt {sol la, si do re} |
588 \tt {mib lab, do^"(sempre legato assai)" si' sol}
589 \tt {mib sol, do si' lab}
590 \tt {mib lab, do si' sol}
591 \tt {mib sol, do si' lab} |
592 \tt {mib lab, do si' sol}
593 \tt {mib sol, do si' lab}
594 \tt {red, fad, do' si' la} |
595 \tt {red, mi,( do' si' sol}
596 \tt {lab, si do, fa sol}
597 \tt {red') fa,( do' si' sold} |
598 \tt {red) mi,( do' si' sol}
599 \tt {lab, si do, fa sol}
600 \tt {red') mi,( lab sol' si,}
601 \ttt {re) mib,( sol la do re} |
603 \tt {red) mi, sold_"(legatissimo)" lad dod}
604 \tt {red mi, sold lad dod}
605 \tt {red mi, sold lad dod}
606 \tt {red mi, sold lad dod} |
607 \tt {red mi, sol sib do}
608 \ttt {re mi, sol sib do re}
609 \tt {red mi, sold lad dod} |
610 \tt {red mi, fad la si}
611 \tt {red mi, fad la si}
612 \tt {red mi, fad la si} |
613 \tt {red mi, fa sol la}
614 \tt {si do, re mi fad}
615 \tt {sol la si dod mib}
616 \tt {re mi fad sold lad} |
618 \tt {si do, re^"(legato indistinto)" fa sol}
619 \tt {si do, re fa sol}
620 \tt {si do, re fa sol} |
621 \tt {si do, re mi fa}
622 \tt {la re, mi fa sol}
623 \tt {si mi, fa sol la}
624 \tt {si re, fa sol la} |
625 \tt {si do, re fa sol}
626 \tt {si do, re fa sol}
627 \tt {si do, re fa sol}
628 \tt {si do, re fa sol} |
629 \tt {sib_\dyn "pp_sempre" do, reb fa sol}
630 \tt {sib do, reb fa sol}
631 \tt {sib do, reb fa sol} |
633 \tt {la do, reb mi fad}
634 \tt {la do, reb mi fad}
635 \tt {la do, reb mib fad} |
636 \tt {la do, dod re fad}
637 \tt {sold do, dod re fad}
638 \tt {sold do, dod re mib}
639 \tt {sol do,( dod re mib} |
640 \tt {fad) re( mi fa sol}
641 \tt {sold) mib( sol la lad}
642 <mi si'>2) | <do re sol la>2.\fermata \laissezVibrer
644 %%% Variation IV %%%
645 R2. r4 \ottava #-1
646 <do,, si'>2--\laissezVibrer^\dyn "sffz"
647 \ottava #0 R2.
648 r2 r8 \ottava #-1
649 <do si'>--~^\sf <do si'>2\laissezVibrer
650 \ottava #0 r4 |
651 r r8 \ottava #-1
652 do--~ do4\laissezVibrer \ottava #0 R2.
653 r2 r8 \stemUp <do'' fa sol si>--~^\dyn "f_franc"_"(loco)" |
654 <do fa sol si>4 \stemNeutral \pl {
655 r4 r8 <reb,, do'>--~ <reb do'>2\laissezVibrer s4
656 r <reb do'>2--\laissezVibrer
657 r2 r8 <reb do'>--~ <reb do'>2\laissezVibrer s4
658 r <do si'>2-- ^\p \laissezVibrer
660 <mi'' sold lad red>2-- r <fa sib mi>4--
661 <mi sold lad red>2( <mib sol la re>4)
662 <mi la si red>2.--
663 r8 <do fa sol si>~( <do fa sol si>4 <mi la si red>~)
664 <mi la si red>2 r4
667 r4 r8 <re fad sold dod>16-. r
668 \ottava #-1 \t {r8 la,^\dyn "mp,_non legato"-.-- re,-.--}
669 r16. mi32( <fa sol>8)->~ \t {<fa sol>8 <re la'>-.-- <do si'>--~}
670 <do si'> \ottava #0 r16 <re'' sol la dod>-. _"(loco)" |
671 r4 \ottava #-1 r16 <do,, si'>16.->^\mf <do si'>~->
672 <do si'>32 <reb sib'>( <do si'>8.) \ottava #0 |
674 \ottava #-1 \t {r8 <do reb>4->-.}
675 r16 <do reb>16.--^\ff <do reb>->~
676 <do reb>32 <lad' si>(-> <do, reb>8.) \ottava #0 |
677 \t {r4 <mi'' la si red>8~->-- _"(loco)" } <mi la si red>4
678 \t {r8 <fa lab sib mi?>->( <mi la si red>->)\laissezVibrer } |
679 \ottava #-1 r8 <fa,, solb>-.^\mf^\> r <fad sol>-.^\!
680 \ottava #0 r4 |
682 r8 \ottava #-1 do-.( r do-. r mib-.) |
683 r do-.( r mib-. r si'-.) |
684 r do,-.( r mib-. r si'-.) |
685 r lab-.( r do,-. r mib-.) |
686 r do-._( r lab'-. r mib-.) \ottava #0 |
687 \pl {
688 r8 \ottava #-1 do-.-- \ottava #0
689 r \ottava #-1 mib-.-- \ottava #0 r4
690 r8 \ottava #-1 do-.-- r do-.-- \ottava #0 r4
692 <do'' fa sol si>4--( ^"(loco)" <mi sold lad red>-- <fa sib do mi>--)
693 <mi sold lad red>2.--
695 <do fa sol si>4--(^\p <mi sold lad red>--)\laissezVibrer
696 \ottava #-1 do,,-.\laissezVibrer \ottava #0 |
697 \pl {
698 r \ottava #-1 do-.\laissezVibrer \ottava #0 r
699 r \ottava #-1 do-.\laissezVibrer \ottava #0 r
700 r8 \ottava #-1 <do si'>4.--\laissezVibrer \ottava #0 r4
703 <mi'' la si red>2.-- <do fa sol si>2~--(
704 <do fa sol si>8 <mi la si red>~--)
705 <mi la si red>2 \md \stemDown <si' mi fad lad>4_~--_(
706 <si mi fad lad>8 \mg \oneVoice \stemNeutral <mi, la si red>)~
707 <mi la si red>2
709 r4 \ottava #-1 \longHairpin
710 <do,, si'>2(\> <re la'>2.\!)\laissezVibrer
711 \ottava #0
713 %%% Variation V %%%
714 R2*2 s2 R2*2 \clef treble
715 \pl {
716 lab'''2.-- lab-- s4 lab2--
717 s4 <lab sib>2--~ \hideNote <lab sib>2.
718 \clef bass
719 do,2.-- do2-- do4--~ \hideNote do2
720 do4--~ \hideNote do2. do2.--
722 r4 <reb' mib sol>--( <reb mib sol>--)
723 r <reb mib sol>--( <reb mib sol>-- <reb mib sol>--)
724 r <reb mib sol>--( <reb mib sol>--)
725 r <reb mib sol>-- <reb mib sol>2--( <reb mib sol>4--)
726 r <fa, si>--( <fa si>--) r q2--
727 q4--( q--) r <fa si re?>2--( q4--) r <mi fa si>2--
730 re,4--_( <fa' solb sib reb> <fa solb sib reb>) |
731 lab,--_( <la' sib re fa> <la dod fad>) |
732 fad,--_( <sol' sib mib> <solb sib mib>) |
733 do,,--_( <la'' sib reb solb> <la re fad>) |
734 sib,--_( <dod' re fad> <sold la re>) |
736 \pl {
737 <mi fa>--( <mi, fa'>2--) fa2.--
738 <mi fa>-- <mi' fa>4--( fa,2--)
739 <mi' fa>4--( <mi, fa mi' fa>2--)
740 s4 do2-- do2.--\laissezVibrer
741 do'( s4 reb2 re red4)
743 si'4.--^\dyn "mf_en dehors" do8( si4)~
744 si8 mi,( fa do' si4)~
745 si8 lab( sol) sib re( red)
746 si4.-- mi,8 red( do' si2.)
747 <do, fa sol si>4--( r <do fa sol si>--)
748 r <mi la si red>--( <mi la si red>--)
749 r <fa sol si>--( <fa sol si>-- <fa sol si>--)
750 r <solb lab do>-- r <fa sol si>-- r
752 <mi fa>8--( <mi fa>4.--) |
753 <mi fa>8--( <mi fa>4.--) |
754 <mi fa>2*1/8-- s4.. | r8 <fa sol>4--
755 \pl {\oneVoice do8~ \voiceTwo do2\laissezVibrer}
756 {s8 <mi fa si>2--\fermata \laissezVibrer }
758 %%% Variation VI %%%
759 r4 s1 |
760 \tupletDown \t {r8 sol_( \md fad')} \tupletNeutral
761 \mg r16 \acciaccatura {la,,32[^\< sol]} mib8.--^\f~
762 mib8. mib'16-. \t {si'16(_\sf_\> sold mi'}
763 re,8)_\! \t {re,4( fa?8)} |
764 r4 \t {sib,4--^\f^\< lab'8} do8.-- fa?16(
765 \stemDown \t {re'4^\! fad8)}
766 \t {la,,(--\> dod,-- \ottava #-1 red,--)\!} |
767 \pl {si2--^\mp si2~ si8. do!16( si2) fad'4_( si,2)
768 si2~ \t {si16 do^( si} la8)~ la2 si4..
769 \ottava #-1 do16( si2.)
770 la4-- r16 \t {mib'32^(^> re dod} si8)_>~ si4}
771 {r4 r8 fa''-- si,,16.^( lad'32-.) r8 s2
772 r4 s r4 r8 do?4.-- r8 mi,16(^\f^\< fa)\laissezVibrer
773 r8 sol'~-- sol4^\! \t {do8-> sold'4->~} sold
774 \t {r16 \ottava #0 lab,(_"loco" mib'} fa'8)
775 \t {mi,16( fad' sib,} dod8->)\laissezVibrer
776 r4 \tt {la,,32(^\< sol sold dod re} mi8->)^\!~ mi4
777 r16 la8->--_\f sib32 fad~ fad8 \t {r16 mib-> re'->}
778 r16 si,-> <si' si'>8->} si,,4.._>_-^\sfz do16_> |
779 \graceNotes \lightBeams {
780 si32\fp \cresc do' dod sib' re,, mi mib la \ottava #0
781 fa'_"loco" dod' re si, do' mib sol si
782 la, la, fad' sol mi' re, mi mib
783 \ottava #-1 lab,16-- sol-- la-- fad--
784 \stemUp sib-- \ottava #0 \stemDown \md red''''_.
785 mi_. \stemUp \mg dod,,,,--\! \stemNeutral }
787 \pl {\ottava #-1 <si, si'>2->--
788 \ottava #-1 <do do'>8->( <si si'>)-> ~ <si si'>2*1/2
789 <re mi>4-- <si si'>2->-- r8 \ottava #-1 <si si'>->--~ <si si'>2
790 r16 \oneVoice \ottava #-1 do32->( <si si'> <la la'>8->--)~
791 \voiceTwo <la la'>8. \ottava #-1 <la la'>16(->~
792 <la la'>8 <si si'>->--)~ <si si'>2}
793 {r4 \ottava #0 <do'' re mi fa sol la si>8-- _"loco"^\f
794 <re, mi fa sol la si>--^\f
795 r4 r8 r16 s \bracketUp "m.d." <fa, sol la>4--
796 \t {r8 <sol si la'>16-. <la do si'>-. <re fa do'>-. <mi sol re'>-.}
797 \ottava #0 mi'32->(^"loco"_\dyn "ff_en dehors" fa8..->)
798 \clef treble mi''32->( fa16.->)
799 \clef bass r8 r \ottava #0 <mi,, fa>--\laissezVibrer _"loco"
800 \t {r8 <do, si' re>16-. <si la' do>-. <la mi' sol>-. <sol re' fa>-.}
801 r4*1/4 s4*3/4 \t {r8 \ottava #0
802 <do' re mi fa sol la si>4--^"loco" \laissezVibrer}
803 r4 <do, mi fa si>8^( <re sol la>) <do, mi fa la>(-- <re sol>--)}
805 \pl si2*1/4\laissezVibrer
806 \ttt {si16 \graceNotes {si' \ottava #0 do^"loco"_( la' re sol)}}
807 \clef treble <si mi fa si>2^- <si mi fa si>4..^-
808 \pl {s16 r4} {do'16( <si, mi fa si>2*1/2)} \clef bass
809 \lightBeams \graceNotes {re,,32(^"leggiero" do' si mi
810 la, fa' re sol)} s2 r8 \ottava #-1
811 \lightBeams \graceNotes
812 \tt {si,,,32( do' \ottava #0 la' re_"loco" sol)} |
813 s4 \ottava #-1 si,,,16(-. do'-. la-. re-.) \ottava #0 r4
814 \ottava #-1 la,16(-. sol'-. fa-. si-. re,-. mi-. do8--) |
815 \pl si2*1/2\laissezVibrer \t {r8 \ottava #1 \clef treble
816 \tupletBeat
817 \tupletDown \t {sol''''''16_(-. la-. fad-.}
818 \t {mi-. do-. re-.)}} \tupletNeutral
819 \halfBeat
820 \ottava #0 fad,32( sol la si do, dod red mi)
821 <mib, sol la re>4--_"(espr.)" \clef bass
822 r32 mi,(_\ppp fa sol \tt {la) la,( sib do re)}
823 red,( mi fad sold) la,( si do re) |
824 \ottava #-1 si,2\laissezVibrer \ottava #0 \clef treble
825 \longHairpin <lab''' reb mib sol>8(^\mp^\<
826 <do fa sol si>4) <do fa sol si>4.-- | \clef bass
827 \fullBeat
828 r8^\! \ottava #-1 si,,,4.\laissezVibrer \clef treble \ottava #0
829 \graceNotes { \tttt {r16 dod'''_( red fad sold lad dod}
830 \tttt {red fad sold lad \ottava #1 dod red fad}
831 \tttt {sold lad dod red fad sold lad)} } |
832 \clef bass \ottava #-1
833 \pl <si,,,,,,, si'>2*1/4->--\laissezVibrer r8
834 fa'~_( \t {fa fad' mib} \oneVoice sol4)
835 \ottava #0 <la, dod'>--\arpeggio
836 \tt {mi'16( sold lad si' re)} |
837 \pl <fa,,, fa'>2*1/4->--\laissezVibrer r8
838 \t {r16 mi'( fa')~}
839 \t {fa8 re_( fad} sold,8.) do32( mib
840 \t {sol8-. la-. dod-.)} r mi,,-.-- |
841 \pl <si si'>2*3/2--\laissezVibrer {r8
842 \t {fad''16_( la fa)~} fa16 do8.--_(~ do8 re--)}
843 r4 \ottava #-1 \longHairpin <do,, re sol la>4(\> |
845 %%% Variation VII %%%
846 <si mi fa si>1*5/4)\!\laissezVibrer \ottava #0
847 R1*5/4
848 r4 \ottava #-1 sib1-.--^\ppp\laissezVibrer
849 r4 r8 mib4.-.-- lab2-.--\laissezVibrer
850 r4 <do, la'>8(^\> re sol4)^\! \ottava #0 r2 |
851 R1*5/4
852 r4 \ottava #-1 <do, si'>(
853 <re la'>2.*1/3) \ottava #0 s2 |
854 r2 \ottava #-1 <dod sib'>2.--( r4 <mib lab>2-- fad--) |
855 \ottava #0 R1*5/4
856 r4 mi'2.-"loco"-- r4 |
857 re1*5/4-- mi4( fa1)~ fa2~ fa8( mi' fa4-- sib--) |
858 \t {r4 mi,?( fa?)~} fa4~ fa8. mi16( fa4) |
859 r4 r8 <mi fa si?>--~ <mi fa si>2. |
860 \clef treble
861 do'4--( do1--)
862 \pl {<do reb>2--( <do reb>2.--)} mib1*5/4 |
863 <mi? fa?>2--( <mi fa>--) r4 |
864 R1*5/4
865 <mi fa>2_(~ <mi fa>8 <do re sol la>2*5/4)\laissezVibrer\fermata